This month, we’ve been thinking about access barriers. I
took us way off the beaten path on this subject. While I do admit to loving a
tangent, these last few weeks have been purposeful detours. In our field,
everything is tight. Money, time, energy, goodwill…we have only enough if we
are lucky. We try to solve problems and often look for the most parsimonious
solution.
We’ve all been there. A grant comes in. We whip out our logic
model. We figure out the program that gets us the solution the grant wants.
This way of solving has been occurring for years in our field. But we also know
that it hasn’t made an appreciable impact on the people coming to museums.
People see impact and changes when they don’t solve for “x”
using the same old formula. This month I talked about two variables that are
often ignored when we talk about access and equity: the way we do our work and
the frames we use to judge our work. I chose these because often when we talk
about access, we think about ways to get people to come. We forget it is a lot
harder to change other people. It’s a lot easier to change ourselves. Of course,
changing yourself requires a certain level of self-reflection. Being honest
with yourself, as an organization, is hard. But when you can really look at
yourself, your workflow, and the flaws in your assumptions, you are also in
control of the changes you can make.
Now, I’m not an expert in throwing open the doors, but just
one voice, trying to make this happen. I put it out to everyone. I cheered
every time people tagged me in their shares. And, I liked every comment. There
was one particular thread that came in through Twitter from Rebecca of Melbourne,
Australia. I loved how she brought up so many issues, often combining
structural issues with the related effects. I’ve been thinking about her comments
all month. From the very start, we are often setting ourselves up for challenges.
We beg people to come in but we have formidable ticket booths. We are basically setting up a
contradiction. To add insult to injury our visitors’ desks are often a barrier
(both physical and perceived to entrance), Rebecca notes.
At my organization, we’ve just started to talk out the ways
our space might be accidentally signaling inaccessibility to staff. These
conversations are hard. They take time. But we believe the outcome will be
worth it. How many organizations are doing this?
The relationship between perceived barriers and physical ones
are incredibly important. If someone is already uncomfortable with the notion
of coming, what does a physical block do? Prove their point? Now, I understand
the economics of tickets, trust me. No one in leadership in a museum can be
immune to the financial responsibilities of keeping collections available. Rebecca’s
point gets to such an important point. We do these things one way, say putting
a ticket desk up in the middle of the lobby, but we don’t always interrogate
what the perception of our conventional wisdom is, and as such, we ignore
contradictions therein. Our ticket desks are often more like draw bridges,
gatekeeping, rather than inviting people in. Then we wring our hands when
people don’t show up.
Rebecca also mentioned another issue about our museums and
how we entice people. I’m a big e-reader. I never check out a book before
reading the preview. I love shoes. I generally try them on before I buy. I even
taste ice cream before selecting my flavor. Our whole society has moved to a
transactional model where previews are the expectation. That is, except
museums. We expect people to pay upfront on spec. We are giving people no
tools to assess interest or value, and then we can’t understand why people aren’t
snapping up the tickets. (Rebecca’s full thread is, hopefully, listed below for
you to read.)
Overall, my point from this month, and I think Rebecca’s, is
that much of our accessibility problem lies in us, not our visitors. We need to
be self-reflexive and honest. We need to add new voices, from within our organizations,
to help ourselves see the ways that we aren’t actually opening doors for
visitors. And, then we have to make the necessary adjustments if we are truly hoping
to open doors.
For more, read this thread, starting here:
An interesting question posed by @artlust, "what is keeping museums from emotionally (and figuratively) throwing open their doors?" I have some thoughts about thishttps://t.co/mU7NgSSOmO— Rebecca❤️💜💙🌈 (@blue_bec) August 18, 2019