It's late in the afternoon. I'm cranking away on a grant proposal, when suddenly, a classical rendition of "All the Single La...

You're planning a new exhibition. Considering a new strategic direction. Designing a new program. And you've decided that you want...

Recently, we've been talking at our museum about techniques for capturing compelling audio/video content with visitors. It made me dig u...

Whoever wrote this comment card: thank you. You made my month. For those who can't see the image, the card reads: When I first saw t...

A man walks into a museum. He shares a story. He creates a visual representation of his story. He puts it on the wall. How do you measur...

Here are a few of the hashtags I've seen applied to photographs of museum objects on Instagram lately: #heytherebigfella #biggysmall...

Let's say you create a station where visitors contribute content. You want their stories, their feedback, their colorful drawings of...

Detail on distribution of artworks in the Tate collection by birthdate of artists, visualized by Florian Krautli. What does "big da...

I am fascinated by the incredible differences in what people contribute based on format and phrasing of the invitation to participate. This...

I'm on the road this week, with speaking gigs in Oslo, Denver, Charlotte, and Roanoke (join the NAMP livestream on Sunday at 9:25am PT...

Going to MAH and seeing the LOVE exhibition on First Friday was a wonderful experience. It made me think in ways that I haven't before ...

Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking:...